I saw a western with some theology in the mix. One scene grabbed me in particular and got me listening more closely.
“In God’s name Cooper!!”
“God’s got nothing to do with it judge”, says Cooper, played by Clint Eastwood.
So is our lesson of Christianity in “Hang ‘Em High”, the 1968 Western with Clint Eastwood. God demands justice, Clint Eastwood seeks revenge for the men who mistakenly tried to lynch him.
Then there is the hanging scene. Dano, from Hawaii 5-0, plays the minister is leading the people in “Shall We Gather By the River”, then “Rock of Ages” in front of the scaffolding where six men are going to be hung that morning. And juxtaposed with that is a large crowd of sightseers dressed in their “Sunday” best, with the cold beer being sold prominently mid-screen, and the ladies fro the brothel coming out from the Keno Club to witness the day’s festivities.
The judge has the final theological word. Toward the end, he wishes powerfully that there was someone else standing between him and God, between him and the power to bring justice, life and death, to ‘hang ‘em high’. And Clint Eastwood, who by this moment in the movie has captured or killed most of the men who tried to hang him, has pushed beyond his vengeance.
Two of his attackers are still out there and he wants to turn in his badge. One turned himself in, an old man, who gave up the rest of the lynch mob. He is sick, dying in the prison. Clint forgives the old man and gets the judge to release him.
And Clint gets the man released, but in exchange for taking back the badge.
This isn’t the only time Christian themes show up in Clint Eastwood westerns. He plays a preacher in ‘Pale Rider’, but he doesn’t say much-and really doesn’t preach. And aside from making him take longer to get his guns before he shoots all the bad guys, there isn’t much theological content.
‘Unforgiven’ is the other western that comes to my mind with theological content. The title speaks volumes to the content of the movie. Most revenge motif films have the revenger (I refuse to say ‘good guy’ or ‘hero’) walk away triumphantly or die in operatic tragedy. This one doesn’t. Violence is not glorified. The consequences are not held back. It tells the story of what life is without our Lord.
When I see them again, I can speak with more authority.
“In God’s name Cooper!!”
“God’s got nothing to do with it judge”, says Cooper, played by Clint Eastwood.
So is our lesson of Christianity in “Hang ‘Em High”, the 1968 Western with Clint Eastwood. God demands justice, Clint Eastwood seeks revenge for the men who mistakenly tried to lynch him.
Then there is the hanging scene. Dano, from Hawaii 5-0, plays the minister is leading the people in “Shall We Gather By the River”, then “Rock of Ages” in front of the scaffolding where six men are going to be hung that morning. And juxtaposed with that is a large crowd of sightseers dressed in their “Sunday” best, with the cold beer being sold prominently mid-screen, and the ladies fro the brothel coming out from the Keno Club to witness the day’s festivities.
The judge has the final theological word. Toward the end, he wishes powerfully that there was someone else standing between him and God, between him and the power to bring justice, life and death, to ‘hang ‘em high’. And Clint Eastwood, who by this moment in the movie has captured or killed most of the men who tried to hang him, has pushed beyond his vengeance.
Two of his attackers are still out there and he wants to turn in his badge. One turned himself in, an old man, who gave up the rest of the lynch mob. He is sick, dying in the prison. Clint forgives the old man and gets the judge to release him.
And Clint gets the man released, but in exchange for taking back the badge.
This isn’t the only time Christian themes show up in Clint Eastwood westerns. He plays a preacher in ‘Pale Rider’, but he doesn’t say much-and really doesn’t preach. And aside from making him take longer to get his guns before he shoots all the bad guys, there isn’t much theological content.
‘Unforgiven’ is the other western that comes to my mind with theological content. The title speaks volumes to the content of the movie. Most revenge motif films have the revenger (I refuse to say ‘good guy’ or ‘hero’) walk away triumphantly or die in operatic tragedy. This one doesn’t. Violence is not glorified. The consequences are not held back. It tells the story of what life is without our Lord.
When I see them again, I can speak with more authority.